By Massimo Cacciari
Massimo Cacciari, essentially the most influential social philosophers in Italy this day, is the founding father of the fashion of feedback often called "negative thought" that makes a speciality of the failure of conventional good judgment to explicate the issues of modernity. This publication, which introduces his writings to an English-speaking viewers, offers a outstanding social and philosophical account of the twentieth-century city. Patrizia Lombardo's vast creation situates Cacciari's proposal in the milieu of Italian political activism and philosophy among the Sixties and the Eighties, from his collaboration at the leftist magazine Contropiano to his lengthy organization with Manfredo Tafuri. Cacciari stories the relation among philosophy and sleek structure and applies the contemplating avant-garde architects, artists, and writers to the social and political difficulties raised by means of technological society. He starts by means of defining the fashionable city, utilizing the phrases and concepts of Georg Simmel and Max Weber, yet revealing the place their frameworks are constrained. He then examines the paintings of Adolf bathrooms and different architects and architects in early twentieth-century Vienna, displaying how their structure and feedback disclose the alienation and utopianism in notions of the natural urban. Cacciari demonstrates how structure intersects with the town and the country but in addition with the inner of the non-public living and with its resistance to the exterior global. Bringing jointly philosophy, sociology, urbanism, hard work background, economics, and aesthetics, he is helping us understand through those disciplines a vital interval within the background of modernity.
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Additional info for Architecture and Nihilism: On the Philosophy of Modern Architecture (Theoretical Perspectives in Architectura)
On the simplest level, the Deutsche Werkbund and the arts and crafts in general tended to build not only its own buildings, but sometimes whole towns, while the new Brooklyn economy has almost exclusively repurposed and renovated old industrial spaces. This is primarily a legacy of the times in which each movement took place: the Werkbund and the Kunstgewerbe reform came when industrialized cities were exploding in size and rampant with new construction. More than this, though, the architects of the Werkbund disapproved of the showy, fake, and cheaply made urban environment that was being built around them and chose to build an alternative separate from it.
3 The face of new artisanal commerce: Empty industrial space, stenciled signage, stylish locations. The Brooklyn Flea and Smorgasburg’s winter location 2013/14. Image courtesy of author. The Architecture of Industry conversions being built than industrial renovations, but Brooklyn is now seen as a place for production and craft food and not just residence. Flashback: The Late Kunstgewerbe Reform and the Werkbund While the Brooklyn movement is too new for its story to be clear, it seems useful to evaluate it in comparison to a moment that underwent a similar experience, but which we now understand within a longer historical context and with greater theoretical detail.
For these, Werkbund designers focused their labors not on the life of the workers inside the factories, over which in any case they had little control, but rather on the use of monumentality to portray industry itself as something serious and dignified. 42 The new industries of Brooklyn have so far built almost no new buildings of any kind, but they have become the most visible and fastest-growing type of occupant of the historic industrial buildings of the borough. The city administration and private investors who own this extensive built fabric have lately started to target emerging design-oriented and artisanal firms as not only a lucrative growth sector of the local economy, but also for the positive lifestyle connotations and potential for influencing neighborhood-wide revitalization – the kind of guiding of public opinion that has surrounded the whole genesis of the new Brooklyn economy.
Architecture and Nihilism: On the Philosophy of Modern Architecture (Theoretical Perspectives in Architectura) by Massimo Cacciari